Electric Guitar Vintage
Electric Guitar Vintage
Does anyone know anything about the value of a vintage guitar EKO?
I am currently in possession of a CX-7 artist EKO Solid Body electric guitar. I remember reading somewhere that occurred in the 1980s, but can not find the site now. The only search result I could find is that the same model sold in the Italian site tool 450EU (about 650USD). All values or information is greatly appreciated. Thank you.
Hello, could not find much about his guitar. N CX 7 on eBay, at least the U.S. version. We found this link. Hope it helps. Http: / / www.mercatinomusicale.com/mm/a_eko-cx-7-artist_id776816.html Indeed, it is a nice guitar. Later,
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Fender Fend Vntvolt Cbl Blk/Slv 10′ $12.99 Fender Fend Vntvolt Cbl Blk/Slv 10′ Made by Fender Model Number: 099-0510-006… |
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1963 Charlie Byrd Gibson Classic Electric Guitar Print Ad (42738) An original vintage magazine ad print from the year published. Print ads make unique gift items that can be framed as artwork. Shipped flat un-framed in plastic sleeve with backing board…. |
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1974 Guild Starfire SF-4 Electric Guitar Print Ad (43582) An original vintage magazine ad print from the year published. Print ads make unique gift items that can be framed as artwork. Shipped flat un-framed in plastic sleeve with backing board…. |
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Vintage Hawaiian Music — Steel Guitar Masters $16.98 … |
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Wanderlust $16.31 … |
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Pure Jerry: Lunt-Fontanne, New York City – October 31, 1987 (4 CD Set) $44.99 Recorded live at the Lunt-Fontanne Theatre in New York City on October 31, 1987. Track listing: Disc 1 – Matinee (Acoustic): 1. I’ve Been All Around This World 2. I’m Troubled 3. Short Life Of Trouble 4. Band Introduction 5. Blue Yodel #9 6. Spike Driver News 7. Trouble In Mind 8. The Girl At The Crossroads Bar 9. Bright Morning Stars 10. Ripple 11. Good Night Irene Disc 2 – Matinee (Electric): 1…. |
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CBI Braided Guitar Instrument Cable with Right Angle Plug 10 Foot (Vintage Tweed) $14.95 This is the best-valued overbraid instrument cable available, designed by CBI for American Musical Supply and made in the USA. The braided nylon cloth provides flexibility with ‘no fray’ weaving, proven to be very durable. CBI not only provides heat shrink over the nickel 1/4′ barrel but under as well, ensuring maximum strength for years of satisfaction.C.B.I. features unsurpassed delivery, flexib… |
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CBI Braided Guitar Instrument Cable 15 Foot (Vintage Tweed) $14.95 This is the best-valued overbraid instrument cable available, designed by CBI for American Musical Supply and made in the USA. The braided nylon cloth provides flexibility with ‘no fray’ weaving, proven to be very durable. CBI not only provides heat shrink over the nickel 1/4′ barrel but under as well, ensuring maximum strength for years of satisfaction.C.B.I. features unsurpassed delivery, flexib… |
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CBI Braided Guitar Instrument Cable 20 Foot (Vintage Tweed) $16.95 This is the best-valued overbraid instrument cable available, designed by CBI for American Musical Supply and made in the USA. The braided nylon cloth provides flexibility with ‘no fray’ weaving, proven to be very durable. CBI not only provides heat shrink over the nickel 1/4′ barrel but under as well, ensuring maximum strength for years of satisfaction.C.B.I. features unsurpassed delivery, flexib… |
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Vintage Volt Tweed 10 Ft Electric Instrument Cable $12.99 Vintage Voltage Cables provide excellent tone quality and an awesome vintage look to your rig at an affordable price. We¹ve wrapped them all up with Vintage Tweed, Black/Silver, Brown/wheat, or Brown/Oxblood woven cloth exteriors for that Vintage Fender® vibe. Throw in our limited lifetime warranty, and you have a cable that you can¹t live without!… |
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Vintage Crestline Les Paul Electric Guitar Good Shape $369.99 |
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Vintage Teisco Crescendo Tear Drop electric guitar $191.50 |
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VINTAGE MONTAYA ELECTRIC GUITAR/3 PU/MAPLE NECK/WOW!!!! $125.00 |
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Authentic Vintage Mosrite of California Electric Guitar $2,500.00 |
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MICHAEL KELLY PATRIOT VINTAGE ELECTRIC GUITAR W/FREE… $499.99 |
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Vintage 80’s Aria Pro II RS Classic Electric Guitar $157.50 |
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Vintage 1980s Peavey T15 Electric Strat Guitar T-15 VGC $109.16 |
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Kay Vintage Reissue Thin Twin Electric Guitar $700.00 |
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Vintage Peavey T-60 electric guitar $177.50 |
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Aria SG Electric Guitar and Case Made in Japan Vintage $139.99 |
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Gibson & Fender electric guitars T shirt(vintage,57,58) $9.99 |
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Gibson & Fender electric guitars T shirt(vintage,57,58) $8.99 |
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VINTAGE 80’s WESTONE PANTERA ELECTRIC GUITAR X300 JAPAN $132.50 |
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Vintage 1975 Gibson L6S Electric Guitar W/Hardshell $99 $425.00 |
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G&L S500 Electric Guitar Vintage Low Serial Number 1982 $999.00 |
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Gibson Vintage 70’s SG Electric Guitar- No Reserve! $177.50 |
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Epiphone Vintage G-400 Electric Guitar *U*FIX* $104.01 |
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NEW BLACK INDIANA VINTAGE TELE – STYLE ELECTRIC GUITAR $234.00 |
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Vintage Original 1978 Fender Telecaster Electric Guitar $2,650.00 |
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Vintage 80’s Ibanez EX Series Electric Guitar w/ HSC $199.00 |
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VINTAGE VENTURA TEISCO HOLLOW BODY ELECTRIC GUITAR JAZZ $549.99 |
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MAINSTREET TELE STYLE ELECTRIC GUITAR IN VINTAGE CREAM $161.49 |
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ELECTRIC BASS GUITAR MCCARTNEY VINTAGE VIOLIN STYLE NEW $299.99 |
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Electric Guitar, 6 String, LEFT HANDED, Vintage Bridge $107.00 |
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VINTAGE US FENDER TELECASTER CUSTOM ELECTRIC GUITAR $750.00 |
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Vintage Yamaha EG 112 C Electric Guitar Black $99.00 |
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Epiphone Sheraton II Electric Guitar Vintage Sunburst!! $420.00 |
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NEW Hagstrom Vintage Series F20T-WCT Electric Guitar $370.57 |
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Vintage Phantom Electric Guitar w Case $24.50 |
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Main Street Vintage Cream Electric Guitar, Tremolo, NEW $117.00 |
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Kona Double Cutaway Electric Guitar, Vintage Tremolo $137.00 |
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Vintage 1972 Harmony Rebel Electric Hollowbody Guitar $395.00 |
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rarest SOVIET VINTAGE ELECTRIC GUITAR ELGAVA-V 1970s $249.00 |
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MEMPHIS Electric Guitar WHITE STRIPES Strat Jr. Vintage $23.00 |
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Vintage Electra Electric guitar with Hardshell case $52.50 |
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Ibanez Electric Guitar SF470 – Rare Vintage Model!! $199.00 |
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Vintage Memphis Electric Guitar Model 202 BK $229.00 |
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Vintage Teisco Delrey Kay SEMI-HOLLOW ELECTRIC Guitar $102.50 |
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1997 GIBSON LES PAUL STANDARD VINTAGE ELECTRIC GUITAR $1,625.00 |
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Vintage Westone Spectrum SX Electric Guitar – NICE $199.99 |
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Vintage 60’s SILVERTONE KAY ELECTRIC GUITAR-1411 $146.50 |
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Vintage 60’s KAPA COBRA ELECTRIC GUITAR $86.50 |
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Vintage 60’s TEISCO ET-220 ELECTRIC GUITAR-JAPAN $113.50 |
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1986 YAMAHA GX-1 GX1 MIJ VINTAGE ELECTRIC GUITAR $361.00 |
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Vintage Supro Martinique Val-Trol Electric Guitar $1,350.00 |
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Awesome Vintage Double Neck 6/12 String Electric Guitar $468.65 |
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Kona Double Cutaway Electric Guitar, Vintage Tremolo $117.00 |
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Kona Double Cutaway Electric Guitar, Vintage Tremolo $117.00 |
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New Archer SS12 Electric Guitar – Vintage Sunburst $199.99 |
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VINTAGE GRECO LP CUSTOM ELECTRIC GUITAR $202.50 |
The key factors that determine the sound of an acoustic guitar
Many think the world of acoustic guitars is pretty cut and dry and there is room t ™ € many differences in how they configure the instruments. There are so many things to consider, especially when looking to purchase. With an acoustic guitar, which you get is what get. If you later decide you donâ ™ € t like the sound of the guitar, you can not ™ € t enough to change the pills, as you can on an electric guitar. There are countless things that affect the sound of an acoustic guitar, some more important than others. The most important is the body style and woods used for guitar. Smaller things as invigorating and sound hole placement also have an effect on tonal characteristics.
1. Style and body size
The body style of an acoustic guitar has a greater effect on how the sound than anything else. One doesn € ™ t necessarily sound better than another, but have very different characteristics. Style Council measured by the system of Martin and Gibson started at the beginning of the production of acoustic guitar.
Individual should â € "0
The smallest of organisms is called â € € œsingle Oughta be written as a 0. They are most commonly as a parlor guitar. The first guitar Martin built in the early 1800A € ™ s is this body style and was considered a great body at the moment. They are ideal for fingerstyle playing and have impressive bell-like clarity, especially in areas most registers. When it comes to volume, these Wona € ™ t called out of his chair, but still very sensitive to touch. almost always are 12 frets means that the guitar neck joins the body at the twelfth fret. In most of the guitars, the neck joins the body at the fourteenth fret.
Should double â € "00
The size of the above, written as 00 is called the â € € Is œdouble ought.â body style same as the smallest, but it should only bigger. These are also usually twelve fret guitars, but a girl of fourteen models to fret. These guitars also have exceptional clarity and are able to produce more volume the minor body ought. This unique style is also great for a pick, but some strumming. can also handle moderately aggressive response are lower one should also.
Should Triple â € "000
The size of the next, the 000 or â € œtriple be, â € is also the same body style that the smallest 0 and 00, but greater still. They are very sensitive and generally have low rich and midrange. This body style is still very favorable to finger style but can also handle very aggressive strumming and flat picking. There are many models both twelve and fourteen fret bodies of different brands available.
OM and MAC
The OM and WTO, which means â € œOrchestra Models € or â € € œOrchestra Cutaway model are almost identical to the 000, but have a greater length scale is the distance between the nut and the chair. The two have nearly identical tonal characteristics, but some players prefer a length scale much longer or shorter.
M
The last and largest of the 0â € ™ s â € is the EEB is € 0000. The M usually has a lower bout is € 16A the area of the body below the bridge. The match is lower than most of the sound produced and the rings. The M is a very well rounded really makes well with all styles playing. is still very clear and sensitive finger-style game and can withstand more aggressive strumming. This body style was the choice of superstar Eric Clapton, when he played an M-36 to record their Unplugged Album. This body style is very well balanced in all registers and if made of suitable materials is one of the strongest body styles.
Dreadnought
The body style most popular is the Dreadnought. A dream flatpickers, the most popular of all sound production is the D-28. The battleship is very different from any of the 0â € ™ s.à is not drowned out by both the sound output. Though not as well balanced as the 000 or M, the battleship response is very low because the body is more thick. They are very attached and cut a good mix, especially for single plane picking. note the battleship was not developed until the early 20th century and wasn € ™ t mass produced by Martin until the early 30â € ™ s.à Now prewar D-45 (D-45 Martin built before the end of World War World â € "1945) in good shape can be measured in more than one hundred thousand dollars.
Jumbo
The size of I'll talk last body is the body Jumbo size. This body style is exactly as the name suggests. The jumbo is most used by twelve string guitars, but also frequently used to six strings. Guitar manufacturer Gibson, and Guild are the most common users of the Jumbo body. They are under very rich and middle and â € œknock can cause you to their volume of some € Chairá looking for. They are ideal for all types of strumming, but are as good for fingerpicking. The Jumbo body style provides large volume, but lacks clarity in the crystal clear that it receives from the organs of 0 style. They are much clearer when used as twelve string because the highs are much more present with the octave strings.
2. Type and quality of the wood (Tonewoods)
The next thing to consider is the tonewoods used to make the guitar. There are endless possibilities of combinations, each producing unique tonal characteristics. Each piece of wood from the back and upper sides, neck and fingerboard effect sound. how an instrument not only the type of wood matter, but also the quality wood. the use of the rare and exotic tonewoods significantly increases the cost of the instrument, even if the forests are of poor quality.
The back and sides of the guitar are usually made of a hardwood, the two most common are rosewood and Mahogany. The top is usually a less dense wood such as spruce or cedar, although sometimes makers experiment with a hard wood top. The fingerboard is also usually a hardwood such as ebony or rosewood, but in some cases is a synthetic material.
Rosewood
There are several different types of Rosewood used for making guitars, the most common is the East India East India Rosewood. offers clear sound and very hot if paired with a spruce top, and provides an answer rich and low volume. Honduras rosewood is used less often and have similar properties to the East Indies Rosewood. Top Picks is Brazilian Rosewood Rosewood. of thought as the â € € œholy Grail tonewoods, was widely used before the Second World War in the period instruments and is almost always paired with Adirondack spruce. It is increasingly difficult to get a new guitar with Brazilian rosewood because the tree is in danger and the U.S. have a lien on import.
A quality piece of old growth Brazilian rosewood has an impressive bass response and exceptional clarity if matched with a quality of Adirondack top. If you can find a guitar with Brazilian rosewood, you can expect to pay north of ten thousand dollars. There are few alternatives to Brazil that have similar characteristics and Dona t ™ € come with as high a price tag. Cocobolo is a type of rosewood that even looks similar to Brazil with brilliant reds and oranges. It also provides clear and bright. Ziricote is another type of Rosewood is also very similar to Brazil. It has a grain similar but has more yellow and gray reds and oranges.
Mahogany
Mahogany is the wood most commonly used for back and sides. It offers a rosewood guitar sound brighter and is often described as very woody and natural sounding. It doesn € ™ t have the punch that Rosewood does and doesn € ™ t give so much volume. Hawaiian Koa Mahogany is another type that grows only in Hawaii. Its properties are among rosewood tones and traditional Mahogany. often used for Ukuleles. When combined with an Engelmann spruce that makes him sound sweet fingerstyle Guitar. It is often used as a principle of Taylor, which provides an instrument much darker sound, but is impressive for at. Korina Mahogany is another type that is used in rare occasions, but is most commonly used for electric guitar bodies.
Maple, Walnut, and Ebony
Some woods less used are maple, walnut and ebony. Maple allows a very bright sounding guitar with a less severe and is often used for Jumbo guitars for help clarity lost from the body style. Ebony is a dense wood like Rosewood, but is almost black in color. Walnut is an asset of any wood that has a good purpose qualities both rosewood and mahogany, but is not used very often.
Spruce
The top of a guitar is called the sound box and is usually always a type of fir. The top must be less dense to allow the sound to come through it. The most common type used is Sitka spruce grain spruce. Sitka is very dark and usually very straight. Sitka is a good beginning for those who like to play aggressively because it is the densest of the Engelmann spruce is much family. lighter than the grain fir is often paired with Koa or Maple. It is clearer and better answers Sitka. is a good beginning for players. fingerstlye Adirondack spruce, also known as the Norway spruce is the principle of choice for many say guitars. Premier ™ € doesn t get any better than matched Brazilian rosewood with Adirondack spruce. Tonewood is considered a premium and quality parts are becoming more and more scarce. provides a lighter and pasted from Sitka, which makes it collect a large flat top, but also very sensitive to light touch typing or classical.
Some mountains are less used are: Western red cedar German spruce, Carpathian Spruce, and Redwood.
3. Materials that make up the rest of the guitar
The last thing to consider is the material making up the rest of small things can Guitar. subtly change the sound of the guitar.
The fingerboard
If The mast is made of a hardwood like rosewood or ebony, the guitar will hold better than if made of synthetic material or Micarta. The nut and saddle also important. The standard premium for guitars is the bones. Many are also a type of tusk. If the nut and saddle are made of plastic will remain in force.
Bracing
Last but not least, the bracing of the guitar has a sound effect in the majority as well. reinforcement is divided into two categories. Straight preparing, and preparing scalloped scalloped bracing. gives higher resonance because the keys are shaved down. The soundboard must be prepared to provide the strength needed to support the stress of strings. This means that wood can absorb the additional sound. With scalloped prepared, there is less wood without sacrificing any reinforcements scalloped strength. Martins was used before the war and is still used in high end instruments.
All these things play a role in the tonal characteristics of the Guitar. Everything from the type and quality tonewoods to the way the top is prepared, no matter how subtle, how the effects of the guitar sound. Everyone has different tastes in what sounds very good, and the only way to tell is to test as many different combinations as you can get your hands on.
Strumming happy.
About the Author
Matt Griffith, born and raised in Western Colorado, made the leap to move to Nashville 5 months ago to pursue a career in music along with the thousands of other hopefuls that call Music City home. Matt is an acoustic guitar singer / songwriter at heart but is currently playing lead guitar for the band Brookline. He writes acoustic guitar reviews for Music Gear Review.
Vintage 1960’s Italian EXCELSIOR Electric Guitar Eko Teisco